50th International Student Film Festival Sehsüchte
When we picked up our work last year, we were all hoping to celebrate the anniversary edition in a world where people can come in big crowds and sit in packed cinemas again. But when the third wave announced itself, our confidence ceased as well. How can we – despite corona – live up to the expectations with our big celebration? This year’s motto already revealed the answer: Ignite not only refers to our Sehsüchte flame, but also represents fighting against letting it go out. The pandemic has been raging across the entire world. We can’t host a festival that tries to chase the illusion of a normal life free from corona. Numerous people have died, lost their jobs, or are mentally exhausted. It is crucial, especially for the cultural sector to not fall into the naive mindset, that everything will be ok now. It has been of utmost importance to us to organize a safe festival.
Our 50th edition will be happening both online and on site once again. Thanks to the warm season, the audience can look forward to films, live performances and panel discussions in an open air setting. Hungarian Arts School SZFE is this year’s guest in our Showcase section, whose students put up a breathtaking resistance against the extinction of their political independence. The Film University, too, was under the strict rule of the government back in the GDR as the country’s film school. Sehsüchte’s
history shows this as well. That is why we’re especially proud of our history exhibition which works through 50 years of festival history, showing at the same time that history is always a history of crises. Sehsüchte has to permanently reinvent itself in order to become what it is. Corona has had a lasting impact on the festival, but the flame keeps on burning and will always ignite itself again.
Motto / Theme / Focus | ignite |
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Partner Country | Hungary |
Venues | Film University Babelsberg KONRAD WOLF, Thalia Programm Kinos, Waschhaus Potsdam |
Submissions | 1076 |
Films | 107 |
Countries | 30 |
Events | 30 |
Visitors | 1600 |
Prize Money | 35000 € |
Trailer
Producer | Judith Frahm |
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Director | Samuel N. Schwarz, Valentin Wanker |
Editor | Samuel N. Schwarz, Valentin Wanker |
Animation | Emilia Zieser, Giulia Falciani |
Cinematography | Lucas Heinze |
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Colour Grading | Lucas Heinze |
1st Camera Assistant | Philip Ratuschny |
Grip & Lighting | Konrad Waldmann, Lenn Lamster |
Sound Design | Richard Meyer, Wenzel Krah |
Music | Richard Meyer, Wenzel Krah |
Dancer | Karoline Strys |
Line Producer | Anne-Kathrin Seemann |
Mastering & DCP | Robert Schaller |
Postproduction Supervisor | Uli Kunz |
Festival Management | Stefan Wirth, Luna Fischer, Anna Göpfert, Conrad Mildner |
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Marketing | Eva Lütticke, Katharina Delmenhorst, Florian Heidrich, Tinett Kähler, Louisa Jung, Annika Gedlek, Charlotte Hochegger, Nicola Land |
Main Programme | Nina Decker, Philip Eichel, Sonja Holzinger, Moritz Nehlich, Christina Demenshina, Sophie Glawe, Mimi Marie Dörp |
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Event Management | Christin Huchel, Clara Veihelmann, Till Morgenfrüh, Alina Rehhahn, Hannah Köhne, Josephine Bischoff, Sebastian Möller Palza, Evelyn Radke |
Future | Luisa Müller, Julia Schellenberg |
Focus Production | Carla Zech, Victoria Anders |
Schreibsüchte | Saskia Bender, Lisa Polster, Hannes Raphael |
360°-Film | Saara Neumüller, Sebastian Esposito |
Jury & Guest Management | Sara Rauschning, Lena Steinbüchel, Alissa Dornier |
History | Cansin Kuyukoey, Katharina Kauth |
Screening | Arnim Donath, Henry Bock, David Marodnes |
Sound | Weronika Malinowska, Florian Weber |
Website | Phil Clausen |
Live-Streaming | Irma Heinig, Samuel Schwenk, Anton Yaremchuk |
Exhibition | Anna Eschenbacher, Rita Eperjesi, Zainab Tariq, Johanna Hartmann, India Aparicio, Urszula Przybylska |
Juries
Best Feature Film | Svenja Böttger, Luzie Loose |
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Best Documentary | Kenneth Gyang, Leona Goldstein, Alice Agneskirchner, Yulia Lokshina |
Best Screenplay | Lasse Scharpen, Verena Veihl, Karin Kaci |
Best Pitch | Lucas Schmidt, Stefan Titze, Janna Nandzik |
Best Production | Caroline von Senden, Murat Isgüder, Nadja Jumah, Mina Avramova, Björn Koll |
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Best 360° Film | Loulia Isserlis, Julia Leeb, Tobias Wüstefeld |
Future Kids | Amely Trinks, Leonore von Berg, Gemma Mues, Lydia Jahr, Anton Halten |
Future Teens | Irene Böhm, Katharina Widl, Justus Halten, Marwin Haas, Nils Wolf |
Bester Kurzfilm & Bester Animationsfilm | Pia Hellenthal, Annegret Richter, Frédéric Schuld |
Winning Films
Germany/Kenya, 2021 | Producer: Kevin Anweiler, Felix Hultsch, Linda Karuru, Krysteen Savane, Ledama Sempele, Wenzel Steinmetz
Susanne travels to Kenya as a EU representative in order to estimate possible aid for a village that was attacked by terrorists. While the survivors hope for a collaboration on eye-to-eye level, it’s not more than a usual procedure for Susanne. She only realizes the consequences of her behaviour when it’s already too late.
Best Production
From a drug-oversaturated techno event at 145 bpm to the after party at dawn: In an apartment, still showing the traces of last night, Dustin, a young trans* person, and their crew search for sense and connection in the melancholic atmosphere of the fresh of day - an exploration of affection, desire and identity.
Best Feature Film Short
Johanna’s dangerous talent is showing early - after a traumatizing loss of control she is forced to keep her powers in check. As she gets older, it’s getting harder and harder to do, so she contacts a secret group. The members want to unleash Johanna’s powers and tempt her to more drastic steps.
Best Genre Film
Held captive in Damascus, surrounded by war, a lonely man waits for his chance to leave the country. His isolation causes him to lose himself more and more in escape fantasies and monologues. Only his dog Baroud is there to respond with silence.
Best Animation Film
Hayat has to leave her home behind. She reaches Berlin together with her husband and gets accomodation with his relatives. His aunt rejects Hayat because she is Kurdish and makes it difficult for them to settle. When they finally have hope again, a stroke of fate and a ruthless system force Hayat to make an inhumane decision.
Best Feature Film
Nichts als Wiesen erstrecken sich am Horizont Katinkas ländlicher Idylle. Hinter der nüchternen harten Arbeit des Bauernlebens kommen allerdings die Probleme der eigentümlichen Landgesellschaft zu Tage, die es erschweren, das Leben einfach hinzunehmen wie es ist.
Best Screenplay
All of Alva’s friends are boys. Together, they spend a never ending summer full of adventures in Berlin. The ten-year-old girl is the wildest one of them all: loud, cheeky, untamed - but still the day comes when her friends don’t want to have her around anymore. Only because she is a girl.
Future Kids
When married couple Bay and Tam fled Vietnam and came to Germany 30 years ago, their children’s future was the priority. With great restraint, the film observes and reveals melancholic connections to their old home, which they sustain through video chats, boozy karaoke nights and streamed funerals.
best documentary (long)
An atmospheric performance leads through nature and destruction.
Best 360° Film
Palestinian boy Khodor grows up in the refugee camp Shatila, close to Beirut, without any papers. While fighting for citizenship, his right to education and health care, harrowing family secrets are revealed.
best documentary (short)
After a depressive episode, Lou’s mother can’t get out of bed anymore. All while this was supposed to be a special birthday for the sixteen-year-old. When her crush surprises her with an invitation to a concert, Lou is torn between taking care of her mom, and following her growing feelings for Matz.
Future Teens
In der Woche vor Ihrer Firmung wird die junge Valentina Zeugin von einem sexuellen Übergriff auf ihre beste Freundin. Die konservative Dorfgemeinschaft sieht darüber hinweg, was Valentina dazu treibt, den Abgründen in ihrer patriarchalen Gemeinde nachzugehen.
Best Pitch